Post45

Post45 https://validator.w3.org/feed/docs/rss2.html Glitch Ability: A Crip Poetics of Failure “Escríbelo como si me lo estuvieras contando”: How a Mojado Writes a Cross-Border, Cross-Linguistic Narrative Feminist Poetry & Editorial Labor at Amazon Quarterly, Chrysalis, and Sinister Wisdom “Amazing Connection and Blazing”: The 1970s and 1980s Lesbian-Feminist Editorial Practices of Out & Out Books, Diana Press, and Aunt Lute Press “It’s Only Vanity if It’s Not Good”: Daisy Aldan and Women Midcentury Small Press Publishers The Effective Turn: Affect, Gender, and the Wages of the Labor Film “The Most Sympathetic Reader You Can Imagine”: William Maxwell’s New Yorker and the Midcentury Short Story The Chevalier and the Commahunter: Norman Holmes Pearson Edits Modernism The Programming Era: The Art of Conversation Design from ELIZA to Alexa Writer Conscious: Katharine S. White, Mary McCarthy, and Editing as Intimacy at The New Yorker Generic Life: Mass Consumption and Globalization in Harryette Mullen’s S*PeRM**K*T Our Costume Dramas of Creative Destruction Caribbean Conflagrations: Camouflage, Ambivalence, and Anti-Analogical Entanglements Reading Interculturalism After Kalamandalam Racialized Femininity and Representation’s Ambivalences in Trajal Harrell’s The Return of La Argentina In the Same Room, Again: Anecdotes about Feminist Meetings Susan Sontag and the Americanization of the Nouveau Roman Manifest Diversity and the Empire of Finance The Goodreads “Classics”: A Computational Study of Readers, Amazon, and Crowdsourced Amateur Criticism Squatter Regionalism: Postwar Fiction, Geography, and the Program Era Mary McCarthy’s “Irrelevant” Fiction: Arendt, Vietnam, and the Late Novel of Ideas Content-Era Ethics Professional Life, Childhood, and Fantasy Solutions: Middle-Class Alienation in the Fiction of J. D. Salinger and the Films of Wes Anderson Punchline Aesthetics: Recuperated Failure in the Novels of Ben Lerner and Sheila Heti The Acid-Washed Novel “A Decent Life in these United States”: Walker, Williams, Wright and the Problem of the Black Middlebrow Hipsters and Homosexuals: Chandler Brossard’s Who Walk in Darkness and the Midcentury Gay Underground Autofiction and Selfie Aesthetics Amiri Baraka’s Changing Same as Anational Sociality Wattpad’s Fictions of Care Cinematography, Architecture, and Design in the Digital Age Feminist Bestsellers: A Digital History of 1970s Feminism Against Conglomeration: Nonprofit Publishing and American Literature After 1980 The Asian American Literature We’ve Constructed A Network Analysis of Postwar American Poetry in the Age of Digital Audio Archives Hitchcock’s Closed Systems Crude Designs for an Oil-Built World Container Culture: Film, Packaging, and the Design of Corporate Humanism at the CCA Introduction: Design Culture Studies: Between Infrastructure and Image Queer Formula Zadie Smith’s Style of Thinking The Sight of Life Beyond Desire: Blackness and Form Furnishing the Novel, Feeding the Soul: Aimee Bender’s The Particular Sadness of Lemon Cake Form contra Aesthetics Transformation and Generation: Preliminary Notes on the Poetics of the Memphis Sanitation Strike Good for Nothing: Lorrie Moore’s Maternal Aesthetic and the Return to Form On Philosophical Imagination and Literary Form Free Trade Comedy: Slapstick Toggling in Global Supply Chains “Now can you see the monument?” Some notes on reading for “form”