Post45

Post45 https://validator.w3.org/feed/docs/rss2.html Multiplayer Lit/Multiplayer Crit Introduction: Seeing Double: Editors in Postwar American Literature Interview: Teju Cole An Introduction to Ambivalent Criticism Introduction: Contemporary Culture After Data Science Afterword Form Now: As Limit and Beyond Introduction: How to Be Now Introduction: Formalism Unbound Introduction: The Spirit of Capital in an Age of Deindustrialization “A list that reflects the world”: An Interview with Peter Blackstock Introduction: Design Culture Studies: Between Infrastructure and Image “What You See Is What You Get”: Wattstax, Richard Pryor, and the Secret History of the Black Aesthetic The Third Eye: Editorial Visions of the Draft Text Gag Reflexes: Sex Doll Slapstick and Fran Ross’s Oreo Mourning and Melancholia in the Anthropocene Ironies of Web 2.0 Interview: Sofia Samatar Pynchon’s Malta Introduction: Inventing the Middlebrow Glitch Ability: A Crip Poetics of Failure “Escríbelo como si me lo estuvieras contando”: How a Mojado Writes a Cross-Border, Cross-Linguistic Narrative Feminist Poetry & Editorial Labor at Amazon Quarterly, Chrysalis, and Sinister Wisdom “Amazing Connection and Blazing”: The 1970s and 1980s Lesbian-Feminist Editorial Practices of Out & Out Books, Diana Press, and Aunt Lute Press “It’s Only Vanity if It’s Not Good”: Daisy Aldan and Women Midcentury Small Press Publishers The Effective Turn: Affect, Gender, and the Wages of the Labor Film “The Most Sympathetic Reader You Can Imagine”: William Maxwell’s New Yorker and the Midcentury Short Story The Chevalier and the Commahunter: Norman Holmes Pearson Edits Modernism The Programming Era: The Art of Conversation Design from ELIZA to Alexa Writer Conscious: Katharine S. White, Mary McCarthy, and Editing as Intimacy at The New Yorker Generic Life: Mass Consumption and Globalization in Harryette Mullen’s S*PeRM**K*T Our Costume Dramas of Creative Destruction Caribbean Conflagrations: Camouflage, Ambivalence, and Anti-Analogical Entanglements Reading Interculturalism After Kalamandalam Racialized Femininity and Representation’s Ambivalences in Trajal Harrell’s The Return of La Argentina In the Same Room, Again: Anecdotes about Feminist Meetings Susan Sontag and the Americanization of the Nouveau Roman Manifest Diversity and the Empire of Finance The Goodreads “Classics”: A Computational Study of Readers, Amazon, and Crowdsourced Amateur Criticism Squatter Regionalism: Postwar Fiction, Geography, and the Program Era Mary McCarthy’s “Irrelevant” Fiction: Arendt, Vietnam, and the Late Novel of Ideas Content-Era Ethics Professional Life, Childhood, and Fantasy Solutions: Middle-Class Alienation in the Fiction of J. D. Salinger and the Films of Wes Anderson Punchline Aesthetics: Recuperated Failure in the Novels of Ben Lerner and Sheila Heti The Acid-Washed Novel Afterword: Ten More Sites of Ambivalence in the “Open” “A Decent Life in these United States”: Walker, Williams, Wright and the Problem of the Black Middlebrow Hipsters and Homosexuals: Chandler Brossard’s Who Walk in Darkness and the Midcentury Gay Underground Autofiction and Selfie Aesthetics Amiri Baraka’s Changing Same as Anational Sociality Introduction to the Inaugural Prize Issue