Contemporaries Essays

Sasha Steensen

Colorado Diamond If geological time is                          time times time,we have mined itnearby:the continent’s fifth largest diamond. Just 45…

Kerri Webster

Last summer I dropped my phone in the Payette River. There was no saving it, unlike the retrieved paycheck (“I knew a clean man”) sun-dried and flattened in Leaves of…

Stephanie Burt

There’s material in Niedecker’s body of work from which anybody could learn: concision, close observation, humility before objects of study — people — who change, and surprise us, and let us…

Michelle Niemann

Immersion in Lorine Niedecker’s work — especially her New Goose project of the 1930s and ’40s, but also the (not very) long poems she wrote in the 1960s — gave…

Brandon Menke

It is the silences Niedecker authorizes. Between syllables comes the reprieve of silence — a generative darkness suggestive of the understory and the waters it shades. It is a space…

Hannah Brooks-Motl

I have been immensely influenced. And yet, this way of writing, the floaty suspended action of a phrase or word, took me a long time to arrive at. I’ve been…

Sarah Dowling

I always think that the only poem by Niedecker that I have memorized is “I married.” But, it’s not memorized—every time I get to the part about which body part…

Tiff Dressen

I write to you from fault lines for Lorine Niedecker I write to you from fault lines 2,000 miles away this western edge of the north american plate I grew…

Kelly Hoffer

What do I hope to learn from Lorine Niedecker? Duration, intensity. The making of a portraiture faithful to desire and knowledge’s recesses. An economy that is strict but also generous….

Introducing “The Marsh”

In the course of editing the essays for “Locating Lorine Niedecker,” Sarah and I felt we were presented with a fabulous opportunity. Only rarely does one assemble the collective talents…