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Contemporaries Essays, Forms of the Global Anglophone

Introduction: Forms of the Global Anglophone

What does the term “Global Anglophone” signify? As a new Assistant Professor of Global Anglophone and English Literature, I should ostensibly have an answer to this question since it was…

Contemporaries Essays, Interviews

Being a Person, Being in Public

Convened by Claire Jarvis

Contemporaries Essays, How We Write (Well)

Acknowledgement(s): A Response to Frances McDonald

Although collaboration is the norm in STEM fields, it is, as Frances McDonald points out, an anomaly in the humanities. Even as new subfields like digital humanities and new methodologies…

Contemporaries Essays, How We Write (Well)

The Humor We Fear Most: a Response to Sarah Wasserman

Sarah Wasserman, Frances McDonald, and for that matter all of us appear to be part of a rising wave of reappraisals about what literary critics do when we critique. Why…

Contemporaries Essays, How We Write (Well)

The Right to Silence: a Response to Irvin Hunt

“He said nothing. He simply stood and waited as the rest of them came up to him, while they stopped and looked and understood.”1 These lines appear toward the end…

Contemporaries Essays, How We Write (Well)

How to Read Lists (Well): a Response to Jed Esty

Let’s call the lists that we encounter and produce on a day-to-day basis ordinary lists. Examples might include shopping lists, contact lists, to-do lists, bucket lists, packing lists, mailing lists,…

Peer Reviewed Articles

Contemporaries Essays, How We Write (Well)

Distillery: a Response to Kinohi Nishikawa

Compression counts, and not just for poems and tourniquets. In “RT = Endorsement,” Kinohi gives us a version of academic Twitter as the distillery of good scholarship and good sentence-craft,…

Contemporaries Essays, How We Write (Well)

To Collaborate is to Become Entangled

“We are at stake to each other.”— Donna Haraway “The two of us wrote Anti-Oedipus together. Since each of us was several, there was already quite a crowd.” — Deleuze &…

Contemporaries Essays, How We Write (Well)

How We Write Funny

Let me begin with a true story: when I was teaching in Berlin, a colleague there shared his lecture notes with me for a large introductory seminar. I couldn’t believe…