The novel is, by definition, formally heteropessimist: gesturing towards queerness at the levels of narrative, style, and perspective while resolving upon heterosexual coupledom in the end. This, at least, is…
Recent Uncollected Essays
Peer Reviewed
Generic Life: Mass Consumption and Globalization in Harryette Mullen’s S*PeRM**K*T
Anna Zalokostas
Peer Reviewed
The Programming Era: The Art of Conversation Design from ELIZA to Alexa
Christopher Grobe