Archive for 2020

Slow Encounter

I Natalie Diaz writes, “In my Mojave culture, many of our songs are maps.” Diaz does not mean this in the sense of a settler colonial map. They do not…

Poetry, Pulse, and the Anthology

It has been over three years since forty-nine people were murdered at Pulse, a gay nightclub in Orlando, Florida. Public attention has waned. But for certain communities, it is impossible…

Afro-Boricua Archives: Paperless People and Photo/Poetics as Resistance

In her monograph, Boricua Literature, Lisa Sánchez González argues that in the face of national, colonial, and institutional erasure, Boricuas — the Taíno-derived demonym for Puerto Ricans — find themselves…

The Body of Contemporary Latina/o/x Poetry

Among scholars and teachers of Latina/o/x literature, it has become commonplace in recent years to speak about the vitality of poetry, which has long been subordinated to narrative in research…

Writers for Goldwater

In Political Fictions (2001), Joan Didion insists that her politics are not “eccentric, opaque, somehow unreadable.” She writes: They are the logical product of a childhood largely spent among conservative…