Contemporaries Essays

“I’m a Vampire”: Cage Circa 2000

I understand Nicolas Cage’s professional life from Peggy Sue Got Married (Coppola, 1986) through his late-1990s success as an action star as a series of attempts to identify the genres and plots…

Pedagogy of the Obsessed

One of our first encounters with Nicolas Cage in Alex Proyas’s 2009 film Knowing takes place in the university classroom. His character, Professor John Koestler, is giving some astrophysics students an impassioned…

The Call of Cage-thulu: On the Unspeakable Frenzies of Nicolas Cage

What opposes Lovecraft to the representatives of good taste is more than a question of details. HPL would probably have considered a story a failure, if in writing it he…

The Iron Cage

Heroes, as far as I could then see, were white, and not merely because of the movies but because of the land in which I lived, of which movies were…

Between The Rock and a Hard Face: On First Encounters of the Cage Kind

Even if you’re a true film buff, there’s always that one classic movie that you haven’t seen. Admitting it at parties is a reliable form of self-deprecating small talk: I…

On the Brink of Breakdown

1 “Brandy was her name.”1 The pig’s, that is. The one that acted across from Nicolas Cage in Michael Sarnoski’s directorial debut Pig. The titular sow. She was untrained, and…

Cage Register

In Baxter’s view the care for external goods should only lie on the shoulders of the ‘saint like a light cloak, which can be thrown aside at any moment.’ But fate…

Introduction to the Cage

Who is Nicolas Cage? The name itself is enough to conjure a whole host of associations not easily reconciled. There’s the star of beloved indies like Raising Arizona (1987) and…

Literary, but Not Prestigious: Lupin and the Serious Pleasures of Amorality

Chapter 4 of Jason Mittell’s 2015 book Complex TV: The Poetics of Contemporary Television, on “Characters,” begins: “Nearly every successful television writer will point to character as the focal point…

The History of True Crime in the Midwest:Writing and Intertextuality in Fargo

Why should we pay attention to the “literary” or “cinematic” dimension of a TV series? For some critics, approaches that focus on media and artistic convergence are likely to distinguish…