At some point in the early 2010s, a gif of Taylor Swift was making its way around on Tumblr. In a sequence of images, Taylor Swift wears a wry yet…
Archive for December, 2020
Growing Sideways, Gazing Back
The Taylor Swift of evermore is our pop Heraclitus: nothing here happens for the first time, everything’s a return to something, a rewrite, a re-take, a retraction, a chance to…
Introduction: from folklore to evermore
Taylor Swift has a reputation for many things. Dropping surprise albums is not one of them, at least not before this year. If folklore is inspired by William Wordsworth, evermore…
Beyond Desire: Blackness and Form
Twenty-eight fat televisions are stacked into a pyramid of sorts in the corner. In the darkened room, each screen plays the same short excerpt of Nina Simone’s 1964 performance of…
The Sight of Life
1. Look It’s unreasonably hot for an English summer. Moving through the humid chambers of the Victoria and Albert Museum feels like trudging through a steamed treacle pudding, an Edwardian…
Transformation and Generation: Preliminary Notes on the Poetics of the Memphis Sanitation Strike
From February to April of 1968, Memphis was a focal point of civil rights action, largely due to its nationally prominent sanitation strike. Labor tactics in Memphis insisted on connecting…
On Philosophical Imagination and Literary Form
Philosophy and literature: an old sibling rivalry. What more is there to say? Certainly not that form is what distinguishes literature from philosophy. If anything, form yokes philosophy and literature…
Good for Nothing: Lorrie Moore’s Maternal Aesthetic and the Return to Form
In Lorrie Moore’s masterpiece of climate fiction, A Gate at the Stairs (2009), the college-matriculating protagonist Tassie describes her mother’s love as “useless,” because she fails to prevent her son from dying…
Introduction: Formalism Unbound
In the decades after the Agrarians drifted from Vanderbilt to points north and established New Criticism as the dominant interpretive method across the United States, formalism came to be understood…
“Now can you see the monument?” Some notes on reading for “form”
Notes on (poets and critics) reading for form The question that concerns me most in thinking about “new” or “old” formalisms, formalism now, is what counts as reading for “form”…