Contemporaries Essays

K-Crossover, or, Crying Over Marbles

The unexpected success of the Netflix-financed serial Squid Game in September 2021, written and directed by South Korean filmmaker Hwang Dong-Hyuk, undoubtedly confirmed a rising interest in hallyu. While Squid…

Cultural Specificity, Hybridity, and Transnationality in Squid Game

Netflix’s original series Squid Game emerged as one of the most discussed TV series in 2021, generating 1.65 billion hours of viewing in 28 days after its release on September…

The Hallyu Project: Introduction

Consider: Parasite’s historic Best-Picture Oscar win; Squid Game’s still-unrivaled Netflix triumph; the globally chart-topping tracks of BTS and Blackpink; and the recent addition of 26 new Korean words to the…

Postscript

David Berman is the only poet I’ve ever known. He didn’t call himself one. He didn’t dabble in poetry. He didn’t try to impress people with his poetry. When I…

From Vault to Humbling Void: David Berman’s Attention Ecosystem

In a long-lost Fader interview that resurfaced the day after David Berman’s death, Nick Weidenfeld levels charges of solipsism and lack of empathy that he defines as “an inability to…

Think of Me as a Place: David Berman’s Rooms in Time

In “Snow,” the opening poem of David Berman’s first and only collection Actual Air, the speaker walks through a winter scene with his younger brother: I pointed to a place…

David Berman’s Edge Cities: Poetry, Commercial Real Estate, Municipal Feeling

In Roe Ethridge’s cover photograph for David Berman’s book of poems Actual Air (1999), two glass office towers rise over a row of pines (fig. 1). Below, a dry and…

Slipping Between Worlds in Actual Air

Actual Air was the first book of poetry I read that felt contemporary. It was 2003 or so and the book had been published by Open City in 1999. I…

Bridge Ethics

A rabbi, a real cabbalist, once said that in order to establish the reign of peace it is not necessary to destroy everything or to begin a completely new world….